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Twenty-five years later, this wacky take on heroism and the cult of celebrity by way of remolded mythology seldom comes up as a cornerstone when people look back at the ’90s renaissance period that saved Disney’s animation division. That’s a mistake.ĭisney needed another bonafide hit. As the follow up to the underperforming “The Hunchback of Notre Dame,” which underperformed (which likely suffered from its mature undertones), “Hercules” had a world of pressure on its rippling shoulders.
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Olympus.Ħ Burning Questions We're Hoping D23 Will AnswerĬhloë Sevigny on 'Kids,' 'The Last Days of Disco,' and Nuking the '90s Status Quoġ0 LGBTQ Film and TV Creators on the Rise, from Jerrod Carmichael to Isabel Sandovalįrom 'Barbie' to 'Babylon,' Here's Everything Margot Robbie Has in the WorksĮven for Disney’s summer tentpoles, such bombastic marketing displays were hardly standard practice on the contrary, what the Mouse House was doing for “Hercules” was a deliberate - even desperate - extra push for a film that needed to surpass its predecessor. It was a promotional act worthy of the gods, broadcast live across the country for anyone who wanted to get a glimpse at the latest addition to the Disney pantheon: A wisecracking family tale about a certain Greek demigod (voiced by Tate Donovan) finding his way back home to Mt. Transported from Disneyland in California to New York City for the occasion, this procession of floats - illuminated by thousands of lights - debuted two new vessels in honor of the film that everyone had gathered to celebrate.